The Long View | Enough with the robot performances
If there’s one domain in which robotics prove woefully inadequate, it’s the performance of live...
Opinion
Breaking down the Budget
What does Labour's autumn Budget mean for classical music? Mark Pemberton explores how the changes...
BBC Young Musician: Classical competition or musical Masterchef?
Andrew Green examines the new format of this year's BBC Young Musician competition, from the...
The Long View | Supply and demand – not elitism – creates high ticket prices
It’s a false equivalence to compare events like the Oasis reunion with concerts and operas produced...
‘I didn’t know contemporary opera existed’
Despite growing up in a choral family, Isabel Lovell thought opera was a product of the past. When...
Keeping live music alive: Naomi Pohl on the plight of the Strictly Band
With live music on BBC's Strictly Come Dancing in peril, the Musicians’ Union general secretary...
Embracing Partnerships: The Key to Inclusion in Classical Music?
HarrisonParrott Foundation manager Lissy Kelleher-Clarke explains the rationale behind her emphasis...
A new model for arts funding in England
It’s a pivotal moment for arts funding in the UK, with a review of Arts Council England promised by...
The Long View | Gardiner’s farcical comeback shames us all
Andrew Mellor argues that allowing the disgraced conductor to gazump his former ensembles is a...
Why Britten Sinfonia is prioritising the next generation
Learning and participation director Chris Bell explains why Britten Sinfonia’s commitment to talent...
