Two decades of the Glasshouse International Centre for Music
As the newly renamed Gateshead venue turns 20 years old today, Nick Smurthwaite looks back at its...
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Small but perfectly formed
Simon Mundy explores London’s brand-new Bechstein Hall, which offers a compact classical experience...
Crouch End Festival Chorus: An open mind and flexible sound
A self-taught music director and an audition process which doesn't require sight-reading gives...
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Winchendon Music Festival is set to celebrate 10th anniversary
Formed by Andrew Arceci in memory of his late father, Winchendon Music Festival is set to mark its...
Gstaad Menuhin Festival focuses on Migration in its 2025 programme
The 69th Gstaad Menuhin Festival is set to take place next summer, finishing its three-season...
Crowdfunding: Power to the people
As government funding diminishes – and ethical complications arise over sponsorship from certain...
Streaming: Go with the flow
Once the preserve of indie-pop, streaming platforms have finally got to grips with classical music –...
The gaming music making an impact on the classical sector
The popularity of music from online open-world game Genshin Impact has delighted gaming fans for...
Spotlight on: Konserthuset Stockholm
Artistic director Stefan Forsberg and RSPO chief conductor Ryan Bancroft tell Adrian Horsewood how...
Tippet Rise Art Center: Anything but ordinary
A working cattle ranch which also presents a world class music series so in demand tickets are...