Jessica Duchen: Myra Hess and Me
With a formidable performing talent, particularly when bolstering Britain’s wartime morale, Myra...
All Features
How Sonoton is harnessing the narrative power of classical
With filmmakers like Jesse Eisenberg turning to classical music to score their projects, classical...
Ada Witczyk on creating new music – and audiences – for Baroque instruments
From establishing a composition competition from her sofa during the pandemic to international tours...
Daniela Mars goes beyond audiences' assumptions
Composer and flautist Daniela Mars talks about her mission to expand audiences’ understanding of her...
‘No guts, no glory’: A confident voice for classical music in Istanbul
As the Borusan Istanbul Philharmonic Orchestra prepares to release its ninth album and embark on its...
Baluji Shrivastav on how the music industry can support blind artists
Indian multi-instrumentalist and Baluji Music Foundation founder Baluji Shrivastav OBE sits down...
Paraorchestra: Touring for all
Touring as a disabled-identifying musician comes with a unique set of challenges, but they are by no...
Getting to know the new voice of Breakfast on Radio 3
Guitarist and presenter Tom McKinney sits down with Clare Stevens ahead of his induction to talk...
El Sistema at 50: the rise and fall (and rise again?) of Venezuela’s controversial music programme
Former fan of the initiative and author of the book 'El Sistema: Orchestrating Venezuela’s Youth'...
Frauke Roth on 10 years at the helm of the Dresden Philharmonic
As she reflects on a decade as general manager of the German symphony orchestra, Roth offers her...